A man and a woman

The setting: a laird
The protagonists: a man and a woman

No words are needed in this play. They only need to communicate via their senses and their connective energy.

Both protagonists are naked and ready to play. The man takes the woman's hand and tugs it sharply so that he can then hold her very tightly. While having her in his hold, she struggles very hard to get free. But he doesn't let her go. Instead, he grabs her arm and twists it behind her back in order to control her. He grabs his rope and uncoils it. He then wraps it around the wrist of the arm he has twisted behind her back. As he has her wrist bound, he puts his arm around her chest to hold her and passes the rope above her shoulder, across the chest and then gets it back at the bound wrist where he makes a first knot just above it.

He then grabs her second wrist very sharply to bind it the same way and he repeats what he has done before.

He then passes the rope twice above her breasts and twice below, making knots along the way to secure the rope and thus to secure her.

As he has a lot of rope remaining, he uses the remainder to cover her eyes and her mouth.

She has nowhere to go, nothing to see, nothing to fight for...

Except that she is struggling still despite being tightly bound. She tries to break free, both from her bonds and from his hands. He doesn't let her go.

Instead, he grabs a carabineer which he attaches to the complex structure showing on her back and , still holding her, grabs a new rope, passes it through a ring on the ceiling and back inside the carabineer. He does this three or four times and then wraps the rope on itself to strengthen the link.

She is thus unable to escape. She can only move up to what the rope attached to the ceiling will let her to.

She is now his to play with.

And he starts by grabbing her hair violently in order to smell her neck and bite her ear lobe. She moans. While keeping her head pulled, he grabs her left breast and squeezes it as much as he can. She emits a gasp. He doesn't let go of the breast, not reduces the pressure intensity. Even though she is bound, she tries to move to free both her breast and her hair but she cannot as both holds are actually carefully thought of to keep her where she is. She cannot move.

He grabs another rope and attach it on one of her ankles. He then pull the rope through a loop anchored in the floor on the side of where she is. Her foot is no longer on the floor. He does the same on the other ankle and she is effectively suspended.

She has no purchase anywhere to struggle and she cannot see anything. Her only option is now to surrender to what awaits her and to him.

He grabs a flogger and starts on her bottom and her shoulder. After a while, he changes to a different flogger, with thicker strands and resume what he was doing.

Her skin is now going to a light red colour. He stops and leave her there, hanging.

He grabs a single tail whip and resumes marking her bottom and her shoulders. She enjoys pain even though she feels like screaming. It brings her relief of all the aggravations she gets from her man. She also becomes a much stronger person, being able to overcome this level of pain. She uses this as a way to overcome anything coming her way.

He feels she had enough and unties her, including the rope blindfold & gag. As she is free, she goes back to struggling free as it is beyond her, she needs to have this struggle. He pins her on the floor even though her back is hurting but she manages to bring her knees up and thus pushes him away. He grabs her legs and sit on them while he grabs her hands in one of his and grabs a rope in the other. They are both breathing rapidly and are very much in tune to what is happening here. He thus ties her hands again and keeps the rest of the rope in his.

She is his prisoner to do as he wishes. She made herself be his prisoner of her own free will. He doesn't yet control her but he is on his way.

He grabs her bound wrists and bring her to him so that he can hold her and never let her go.

She is his. But most importantly he is hers.